Over the past few months, I’ve been drawing lots of huge creatures compared to the normal bunch of goblins and halflings. So why not add an Ice Giant to the bunch. When I get stomped I like to look back at old work to inspire myself on how much I’ve improved.
Let’s start with the new Ice Giant:
and here’s the original piece from a few years back:
I hope it shows improvement! Especially going from ink and digital to graphite and digital. Which both were a huge step for me. And the growth will continue as I start to color the new Ice Giant.
Digitally coloring my drawings is my preferred method, but that does not mean it isn’t a wrestle match to get color theory to be on my side. But when color theory and I get along, we get colored monsters. Behold the Spector that lives in the Dwarfish ruins in the Dragon Spire mountains (yes my friends have already faced this creature in Dungeons and Dragons)
For me, digital colors lets me experiment with out the constant worry of ruining the drawing like it does when I watercolor. In college I watercolored as my main method, but between working with Chris Gash and Cory Godbey (post college), digital grew on me. Now its mostly a balance of cool and warm, darks and lights, and not loosing the drawing under layers and layers of photoshop. But hey, feel like I’m getting some where now!
Recently Green Ronin published the first Critical Role campaign guide and it was a great read with some cool art work. One of the creatures that caught my eye in the book was a cyclops that Matt Mercer designed. A cyclops with the power to control the storm due to his birthright was something I couldn’t pass up drawing and wanting to include in my own D&D campaign. I think this guy might end up being an antagonist to the party.